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What happens when two hustlers strike the road and one among them suffers from narcolepsy, a snooze disorder that causes him to abruptly and randomly fall asleep?

Underneath the cultural kitsch of everything — the screaming teenage fans, the “king with the world” egomania, the instantly common language of “I want you to draw me like one of your French girls” — “Titanic” is as personal and cohesive as any film a fraction of its size. That intimacy starts with Cameron’s own obsession with the Ship of Dreams (which he naturally cast to play itself in the movie that ebbs between fiction and reality with the same bittersweet confidence that it flows between previous and present), and continues with every facet of a script that revitalizes its simple story of star-crossed lovers into something iconic.

“Jackie Brown” could be considerably less bloody and slightly less quotable than Tarantino’s other 1990s output, but it really makes up for that by nailing the entire little things that he does so well. The clever casting, flawless soundtrack, and wall-to-wall intertextuality showed that the same gentleman who delivered “Reservoir Canines” and “Pulp Fiction” was still lurking behind the camera.

Charbonier and Powell accomplish a lot with a little, making the most of their lower funds and single locale and exploring every square foot of it for maximum tension. They establish a foreboding mood early, and competently tell us just enough about these Young ones and their friendship to make the way they fight for each other feel not just believable but substantial.

There are profound thoughts and concepts handed out, nonetheless it's never written over the nose--It is refined enough to avoid that trap. Some scenes are just Excellent. Like the 1 in school when Yoo Han is trying to convince Yeon Woo by talking about color concept and showing him the colour chart.

Taiwanese filmmaker Edward Yang’s social-realist epics normally possessed the scary breadth and scope of a great Russian novel, from the multigenerational family saga of 2000’s “Yi Yi” to 1991’s “A Brighter Summer Working day,” a sprawling story of one middle-class boy’s sentimental education and downfall set against the backdrop of a pivotal second in his pornoo country’s history.

The ingloriousness of war, and the basis of pain that would be passed down the generations like a cursed heirloom, is often seen even within the most unadorned of images. Devoid of even the ebony porn tiniest bit of hope or humor, “Lessons of Darkness” offers the most chilling and powerful condemnation of humanity in the long career that has alway looked at us askance. —LL

Besson succeeds when he’s pushing everything just a tiny bit way too far, and Reno’s lovable turn from the title role helps cement the movie as an urban fairytale. A lonely hitman with a heart of gold in addition to a soft spot for “Singin’ inside the Rain,” Léon is perhaps the purest movie simpleton to come out on the ten years that created “Forrest Gump.

If we confess our sins, He's faithful and just and will forgive us our sins and purify us from all unrighteousness.

Spike Jonze’s brilliantly unhinged “Being John Malkovich” centers on sydney gives rebel some practical lesson in anal sex an amusing high concept: What when you found a portal into a famous actor’s mind? Nevertheless the movie isn’t designed to wag a finger at our society’s obsession with the lifestyles with the rich and famous.

Gus Van Sant’s gloriously sad road movie borrows from the worlds of writer John Rechy and even the director’s personal “Mala Noche” in sketching the humanity behind trick-turning, closeted street hustlers who share an ineffable spark in the darkness. The film underscored the already evident talents of its two leads, River Phoenix and Keanu Reeves, while also giving us all many a explanation to swoon over their indie heartthrob status.

More than just a breakneck look inside the porn industry as it struggled to get over the hump of home video, “Boogie Nights” is actually a story about a magical valley of misfit toys — action figures, being specific. All of these horny weirdos have been cast out from their families, all of them are looking for surrogate relatives, and all of them have followed the American hot porn Dream for the same ridiculous place.

Most likely it’s fitting that a road movie — the ultimate road movie — exists in so many different iterations, each longer than the next, spliced together from other iterations that together create a feeling of the grand cohesive whole. There is beauty in its meandering quality, its focus not on the type of end-of-the-world plotting that would have Gerard Butler foaming with the mouth, but to the consolation of friends, lovers, family, acquaintances, and strangers just hanging out. —ES

The crisis of id with wowuncut the heart of Kiyoshi Kurosawa’s 1997 international breakthrough “Get rid of” addresses an essential truth about Japanese society, where “the nail that sticks up gets pounded down.” Although the provocative existential dilemma at the core of your film — without your occupation and your family and your place inside the world, who are you currently really?